dancingcat Posted May 13, 2022 Share Posted May 13, 2022 Frary, S.C. (2022) Gaillardia pulchella Foug. (Asteraceae) Indian Blanket. Photographed in ultraviolet and visible light. LINK Collected 13 May 2022, roadside, Waxahachie TX, USA (32.4340 -96.8345). Voucher deposition: Botanical Research Institute of Texas Herbarium (BRIT) S. C. Frary [130]. Other Common Names: Firewheel, Girasol Rojo. Comment: Bright red to orange rays, tipped in yellow. Very colorful masses in prairies, pastures, and along roadsides. Blooms May through August. Reference: Lady Bird Johnson Wildflower Database, University of Texas at Austin. Equipment [Olympus EM1mk2-broadband + Olympus 30mm f/3.5 macro] Visible Light [f/8, iso 400, 0.8”, Kolari UV/IR Cut HotMirror Pro 2 filter, Adaptalux white LED, 15-image (differential 3) in-camera stack] Ultraviolet Light [f/8, iso 400, 3.2”, BaaderU filter, Kolari UV LED, 15-image (differential 3) in-camera stack] In situ Link to comment
Fandyus Posted May 13, 2022 Share Posted May 13, 2022 Is this one of those rare UV-white flowers? Link to comment
Andrea B. Posted May 13, 2022 Share Posted May 13, 2022 The rays are UV-bright, but the photo is almost monochrome. Typically Gaillardia are a false pale yellow when photographed under broad spectrum UV (sunlight, for example). Here's an example with false color: LINK Side Note to Sue: Don't forget to photograph the backs of Asteraceae. They often offer up nice stripey surprises. See this: LINK Link to comment
dancingcat Posted May 14, 2022 Author Share Posted May 14, 2022 This UV was done inside...not in sunlight. And I'm still trying to learn what false color is and how it appears.... I will reshoot outside tomorrow. Link to comment
Andy Perrin Posted May 14, 2022 Share Posted May 14, 2022 The false colors we usually talk about here are the ones that we get using a full spectrum converted camera in a light with a wide spectrum (sun or flash or UV bulb), using a filter that has a wide bandwidth (e.g. Baader, or most stacks), and a lens that passes plenty of shorter-wave UV. And then white balanced on PTFE or equivalent UV-neutral surface. It's mostly fruitless to analyze these false colors too closely but it's also an irresistible temptation. They are often pretty to see though! Link to comment
Andrea B. Posted May 15, 2022 Share Posted May 15, 2022 Good answer, Andy! One other small benefit to observe about white balancing reflected UV files, is that it brings out details by reducing the overload of red/magenta/purples which are all too often over-saturated as well. Of course, if one is going for an artistic scene, those reds/magentas/purples can be kept and managed. But they don't always work so well for botanical documentaries. Link to comment
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