Cadmium Posted March 14, 2017 Share Posted March 14, 2017 Just a thought....1000nm leak is double the wave length of green, ie half of 1000nm = 500nm or green ? I don't know what that means. Can you elaborate on that idea, how does it apply here? Link to comment
OlDoinyo Posted March 15, 2017 Share Posted March 15, 2017 For what it is worth, I have obtained the following test images. Camera: Sony A900Lens:Steinheil Cassar-S 50/2.8Exposure for all frames: 3.2 seconds@f/2.8 and ISO 800White balance: 2700G9Additional image workup: none (display intent RGB)Light Source: Audi Q7 right taillight (incandescent type)Conditions: nighttime (some outdoor lighting but minimal ambient UV) Remarks: 1) The Kolari filter had to be held manually in front of the lens in frame 3 due to the lack of a proper adaptor. it consists of a BG-type glass. 2) The image in frame 2 has no real chromaticity because the absorption bands of the reseau dyes do not overlap the transmission window of the 093. The tint is purely an artifact of the white balance. 3) BGR intent makes the lights appear chartreuse-yellow rather than the hues seen here. Link to comment
Cadmium Posted March 15, 2017 Share Posted March 15, 2017 Clark, Thanks.It would be nice to see the Baader U shot white balanced as you would normally white balance a Baader U shot, and then use that same white balance for the Baader U + 093 stack.It would be nice to see these shots in the daytime do that other UV can be seen/compared as with Hornblende's outdoor daytime images.Are you using the same exposure time for each of those?I want to try this also.Your test here kind of leads me tto think that the 'green' is coming from the 900nm Baader U leak range, somehow, but it should be white/gray, not green, I would think. Link to comment
OlDoinyo Posted March 16, 2017 Share Posted March 16, 2017 It would be nice to see the Baader U shot white balanced as you would normally white balance a Baader U shot, and then use that same white balance for the Baader U + 093 stack. That is what you see above. The WB setting used is typical for a landscape shot with this gear.Are you using the same exposure time for each of those? Yes, as far as I know. but it should be white/gray, not green, I would think. It would be that if you ran the white balance with reference to a hard black-IR filter. But that is not what was done here. To illuminate something with UV so that it will appear greenish, shine the broadband source of your choice through a 340BP10 onto a neutral target of your choice, and photograph that. Or use a 320-340-nm laser. Link to comment
Hornblende Posted April 8, 2017 Author Share Posted April 8, 2017 I finaly found a UV green "object" wich is not caused by infrared leak of white balance shenanigans.The object is in fact a synthetic ruby from my gemstone collection, here with a synthetic emerald and a synthetic sapphire for comparison. Visible light - Canon 6D full spectrum - El Nikkor 80mm f/5.6 - Lifepixel UV/IR cut filter - WB on PTFE - Sunlight Ultraviolet - Canon 6D full spectrum - El Nikkor 80mm f/5.6 - Baader U - WB on PTFE - Sunlight Here is a transmission spectrum of a synthetic ruby.http://image.noelshack.com/fichiers/2017/14/1491668201-flamefusrubyint.jpg Link to comment
Andy Perrin Posted April 8, 2017 Share Posted April 8, 2017 I tried expanding the UV portion of that spectrum using the highly-useful, but defunk, program GraphClick, which lets you extract data from graphs by clicking on the curve. Link to comment
Andrea B. Posted April 8, 2017 Share Posted April 8, 2017 What illumination was used to make the photograph of the synthetic gemstones?That can affect the false colour. Link to comment
Hornblende Posted April 8, 2017 Author Share Posted April 8, 2017 Zut I completely forgot to mention the illumination.. It was bright sunlight. Link to comment
Andrea B. Posted April 8, 2017 Share Posted April 8, 2017 Thanks. I'm also a little concerned about the cyan colour cast? Link to comment
Hornblende Posted April 9, 2017 Author Share Posted April 9, 2017 I alway have a cyan cast in my UV pictures when something is overexposed, like the sky. Link to comment
Andy Perrin Posted April 9, 2017 Share Posted April 9, 2017 What are you white balancing against if the PTFE is cyan? Link to comment
Hornblende Posted April 9, 2017 Author Share Posted April 9, 2017 On the PTFE. But since the PTFE is not quite uniforme, some of it can take a cyan cast.The place where I do the WB appears white though, but it is not very noticeable. Link to comment
Andrea B. Posted April 9, 2017 Share Posted April 9, 2017 In some converters, that cyan cast can be removed. Link to comment
colinbm Posted April 10, 2017 Share Posted April 10, 2017 It is funny that the shadows have a white halo ?Col Link to comment
enricosavazzi Posted April 10, 2017 Share Posted April 10, 2017 Just a thought....1000nm leak is double the wave length of green, ie half of 1000nm = 500nm or green ?Are you thinking about even harmonics? The phenomenon of interference as exploited in interference filters is of course related to harmonics. See e.g. https://www.semrock.com/Data/Sites/1/semrockpdfs/constructionofopticalfilters.pdf . I am unable to say whether it might explain the present case, though. Multiple coatings of different thickness behave differently than a stack of layers all with the same thickness. Link to comment
colinbm Posted April 11, 2017 Share Posted April 11, 2017 Thanks Enrico, I am not a scientist of this, but I was thinking along the lines of harmonics or octaves.Col Link to comment
Recommended Posts
Please sign in to comment
You will be able to leave a comment after signing in
Sign In Now