Andrea B. Posted September 20, 2018 Share Posted September 20, 2018 The fact that I photographed this water moving under the ice in Infrared is mostly lost once the temporal stack is made. Although if you know that water is darker in IR, then you might catch that. (Very dependent on filter and scene lighting, of course.) Here is one of the 3 frames which went into the series. This is as it came out-of-camera with no edits. And now the time series made from three similar frames. Link to comment
nfoto Posted September 20, 2018 Share Posted September 20, 2018 Any kind of repeated record over time will show movement in colours and everything static as neutral greyscale*, provided the individual frames are mapped to a RGB or similar colour model. This approach can be very nice for water scenery, as Andrea demonstrates. Here is a similar capture combining UV, visible, and IR. Multi-frame combination(s) can be varied indefinitely.* or a single colour, if the exposure is vastly different from the others in the sequence. Including a UV part is likely to produce such results. Link to comment
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